A key element of the work involves characters evolving into human beings only to be transformed back into animals—specifically monkeys—reflecting an involution within a capitalist system.
In this story, López utilizes a metatheatrical technique where actors directly present the plot and distribute characters in front of the audience. This narrative structure allows for a constant interruption of the story to explain the unfolding events, emphasizing the performative nature of human relationships.
The title, translating to "The Tamer," refers to the character who exerts control over others, evolving from a mere role to a representation of human agency.