: While the news clips sound like genuine reports, they were actually voiced by Jeff Lynne and other band members during the recording process.
: It was released as a double A-side with "Ticket to the Moon," a pairing noted for their shared lyrical references and string arrangements.
: The lyrics are often described as "enigmatic" and "mystifying," dealing with themes of technological isolation and futuristic dystopia. Legacy and Versions
The song functions as a "doom-laden news bulletin" from the year 2095. It is characterized by:
"Here Is the News" by the Electric Light Orchestra (ELO) is a seminal track from their 1981 concept album, . This "long piece" (which runs approximately 3 minutes and 49 seconds) serves as a sonic centerpiece that bridges the gap between orchestral rock and the burgeoning synth-pop of the 1980s. The Concept: A Bulletin from 2095
: Beyond the standard album version, there are several high-fidelity and extended versions, including a 12" Maxi Version and modern high-resolution vinyl remasters that aim to preserve its complex dynamic range.
Under the direction of Jeff Lynne, the track exemplifies the "big ball of distortion" production style.
Electric_light_orchestra_here_is_the_news_offic... -
: While the news clips sound like genuine reports, they were actually voiced by Jeff Lynne and other band members during the recording process.
: It was released as a double A-side with "Ticket to the Moon," a pairing noted for their shared lyrical references and string arrangements. electric_light_orchestra_here_is_the_news_offic...
: The lyrics are often described as "enigmatic" and "mystifying," dealing with themes of technological isolation and futuristic dystopia. Legacy and Versions : While the news clips sound like genuine
The song functions as a "doom-laden news bulletin" from the year 2095. It is characterized by: Legacy and Versions The song functions as a
"Here Is the News" by the Electric Light Orchestra (ELO) is a seminal track from their 1981 concept album, . This "long piece" (which runs approximately 3 minutes and 49 seconds) serves as a sonic centerpiece that bridges the gap between orchestral rock and the burgeoning synth-pop of the 1980s. The Concept: A Bulletin from 2095
: Beyond the standard album version, there are several high-fidelity and extended versions, including a 12" Maxi Version and modern high-resolution vinyl remasters that aim to preserve its complex dynamic range.
Under the direction of Jeff Lynne, the track exemplifies the "big ball of distortion" production style.