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In this collection of three stories, an emotionally abused
wife finds comfort in the arms of her brother-in-law, a young
dancer undertakes an erotic and redemptive pilgrimage to Rome
involving live sex shows and nude photography, and a femme
fatale looks into a mirror as she recalls a sadomasochistic
love affair...
Try
imagining an erotic version of Alfred Hitchcock Presents,
and you'll have some idea of what this DVD series is like.
Only less well made. Producer Tinto Brass has little direct
involvement with these short films, apart from introducing
each one while puffing away characteristically on a cigar,
and making the occasional cameo appearance.
Though
the productions claim to have been directed in the "Tinto
Brass style", there is scant evidence of it here. Only in
A Magic Mirror is there any hint of Brass's eccentricity,
in the grotesque character of a brusque layabout husband (Ronaldo
Ravello), who spends much of his screen time lounging around
in a bath, like the captain of the B-Ark in The Hitchhiker's
Guide to the Galaxy. But, although this tale displays
the most humour in the entire collection, it also shows off
the least amount of bare flesh, which is surely another important
ingredient that the audience will be expecting.
Things
get sexier in Julia, the story from which this collection
takes its name, which includes some particularly explicit
and highly charged sex scenes. Unfortunately, the plot is
almost totally incomprehensible - something to do with a dancer
(Anna Biella) going to Rome, but wildly at odds with the description
on the back of the sleeve, which mentions a photographer's
three beautiful models. I counted two of them at the most.
This production is also blighted by amateurish editing, which
leaves several gaping holes in the soundtrack. Oh well, at
least this DVD is subtitled, which spares us from woeful English
dubbing of the type recently heard on Brass's Private.
The
final tale, I Am the Way You Want Me, is a very weird
and nasty little minx. In it, a naked woman (Fiorella Rubino)
sprawls around in her bathroom, mouthing various strange utterances
to camera, and doing erotic things to herself, such as shaving
with a fearsome-looking cutthroat razor (shudder). And that's
about it.
A
further disappointment is the lack of any extra features.
So, all in all, this DVD has left me feeling rather brassed
off!
Chris
Clarkson

Godslayer One Guide
"They called him —the first man to walk out of the Great Abyss with a heart made of cold iron and eyes that had seen the end of time. He doesn’t hunt monsters; he hunts the architects who built them. In a world where kings claim divinity, he is the brutal reminder that even a throne of gold can bleed." Which one fits? The Relic: Best for a magical item or D&D artifact.
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"Before the first sunrise, it was forged from the cooling embers of a dead star. is not merely a blade; it is a mathematical certainty. It does not cut flesh; it severs the divine tether that binds an immortal to this realm. Its edge hums with the silent screams of forgotten pantheons, waiting for a hand bold enough to rewrite the heavens." Option 2: The Experimental Weapon (Sci-Fi/Cyberpunk) "They called him —the first man to walk
Ideal for a character backstory or a graphic novel lead. The Relic: Best for a magical item or D&D artifact
Perfect for a space opera or high-tech thriller.
"Godslayer One" carries a heavy, cinematic weight. Depending on the vibe you’re going for—whether it’s a sci-fi weapon, a dark fantasy protagonist, or a heavy metal album—here are three distinct directions: Option 1: The Mythic Relic (High Fantasy)
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£15.99
(Amazon.co.uk) |
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£15.49
(MVC.co.uk) |
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£15.49
(Streetsonline.co.uk) |
All prices correct at time of going to press.
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