He is noted for being more "inventive" than many peers regarding ornamentation and lead-ins. His partnership with Sir Neville Marriner is often seen as a standard for "well-groomed" and polished Mozart.
The slow movement of No. 21 is described as "magical," while the C minor concerto (No. 24) is delivered with "fluency and strength".
The famous Andante of No. 21 is played with "affecting delicacy" and "empyreal heights". 3. Alfred Brendel & Academy of St Martin in the Fields Mozart_PConcertos_21_24.rar
His reading of No. 24 is described as "deep" and "multi-layered," avoiding the "clipped" feel found in less successful versions. Mozart Piano Concertos Nos 20 & 21 - Gramophone
Uchida is celebrated as a Mozartian of "exceptional sensibility". Her recordings often highlight the stark contrast between the bright No. 21 and the tragic No. 24. He is noted for being more "inventive" than
Reviewers highlight her "thoughtful and mature accounts" where every note matters. Her approach to No. 24 is described as conveying an "ineffable sadness" with subtle withdrawals of tone.
Brendel’s interpretations are often favored for their intellectual depth and "gentle wit". 21 is described as "magical," while the C minor concerto (No
Perahia is noted for his "delicate" touch compared to other masters, with a gift for reducing his voice to a whisper while remaining eloquent.