Sexual Personae Page
: She claims that Western culture is inherently pagan, and that our fascination with "sexual personae"—glamorous, archetypal figures in art and media—is a modern continuation of ancient idol worship. Reception and Legacy
: She argues that "sex is a far darker power than feminism has admitted," suggesting that whenever sexual freedom is achieved, darker rituals like sadomasochism are never far behind.
Paglia's story of Western culture is defined by a central conflict between two ancient Greek forces: Sexual Personae
: Paglia posits that men created civilization as a defensive "Apollonian" response to the overwhelming power of women and nature.
In Paglia's view, art is the battlefield where these forces meet. From the regal, rigid beauty of to the internal, explosive poetry of Emily Dickinson , she traces how artists have attempted to trap the "Dionysian" within "Apollonian" forms. A Provocative Worldview : She claims that Western culture is inherently
In the shadow of the 1990s, a 736-page tome titled Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson burst onto the academic scene like a dionysian storm. Its author, , set out to prove a provocative thesis: that beneath the thin veneer of Western civilization lies a dark, roiling ocean of primal nature that Christianity never truly tamed. The War of the Gods
While critics on The StoryGraph have called her theories "intentionally contrary" or based on "bunk science," others find her prose "electrifying" and her defense of male creative legacy refreshing. Paglia identifies as a , placing freedom of thought above ideology, and her work continues to be a foundational, if polarizing, text for those studying the intersection of psychology, culture, and sexuality. In Paglia's view, art is the battlefield where
The book became a flashpoint for debate due to Paglia's uncompromising and often controversial stances:
28 junio, 2017 @ 9:31 pm
muy interesante, cual es su sistema de nomenclatura de archivos?.
muchas gracias