The piece highlights sensory data that usually goes unnoticed—what Samama calls "background noise"—precisely because these elements are what anchor us to reality.

Focuses on the plastic bag as a "transparent carrier of waste." It investigates materials that are rarely objects of direct reflection.

Explores the "mute surroundings" of a space. The performer interacts with the architecture to highlight its elusiveness. Plastic trash bags

is an evening-length performance piece by choreographer and performer Michal Samama that explores the temporal and spatial aspects of bodily experience. This "deep guide" breaks down the work’s philosophical foundations, its core components, and the unique artistic language Samama employs to turn the periphery of our daily existence into a focused performance event. 1. Conceptual Foundation: The "Background Noise" of Life